20 Spanish Baroque Pieces
Gaspar Sanz (1640 - 1710) is the most famous baroque-period guitarist. His works are tuneful and memorable, with fiery cross-rhythms and cascading scale passages. He published three books of guitar music.
The baroque guitar could be viewed as a close relative of the ukulele. Indeed, the two instruments have much in common. The smaller four-course guitar actually had the same tuning as the ukulele, for example, although it was largely double-strung.
Sanz enjoyed playing scales in the campanella style, with the notes of a scale set out on different strings, sonically overlapping slightly in the style of little bells. This is a technique the ukulele excels at, and is used to good effect in these arrangements.
Sanz' music for baroque guitar transfers exceptionally well to the uke, as these arrangements demonstrate. It is hoped that this repertoire will bring a refreshing addition to the repertoire of the ukulele, just as the little instrument can bring a freshness to these old but lively pieces. Includes access to online audio.
Las Hachas
Zarabanda
Zarabanda Francesa (1)
Zarabanda Francesa (2)
Matachim
Rujero
Paradetas
La esfachata de Napoles (The Girl from Naples)
La Coquina Francesa (The Girl from France)
La minina de Portugal (The Girl from Portugal)
La miñona de Cataluña (The Girl from Catalonia)
Lantururu
Españoleta
Jácaras
Folias
Passacalle en Dmi (originally Am)
Canarios
Alemanda La Preciosa
Coriente
Fuga
| Featured Product | No |
|---|---|
| Arranger/Editor | Rob MacKillop |
| Composer | SANZ, GASPAR |
| Availability | Available |
| TAB/Notation | Music Notation PLUS TAB |
| Level of Difficulty | 3 |
| Additional Media | Online Audio |
| Description | Gaspar Sanz (1640 - 1710) is the most famous baroque-period guitarist. His works are tuneful and memorable, with fiery cross-rhythms and cascading scale passages. He published three books of guitar music. The baroque guitar could be viewed as a close relative of the ukulele. Indeed, the two instruments have much in common. The smaller four-course guitar actually had the same tuning as the ukulele, for example, although it was largely double-strung. Sanz enjoyed playing scales in the campanella style, with the notes of a scale set out on different strings, sonically overlapping slightly in the style of little bells. This is a technique the ukulele excels at, and is used to good effect in these arrangements. Sanz' music for baroque guitar transfers exceptionally well to the uke, as these arrangements demonstrate. It is hoped that this repertoire will bring a refreshing addition to the repertoire of the ukulele, just as the little instrument can bring a freshness to these old but lively pieces. Includes access to online audio. Las Hachas Zarabanda Zarabanda Francesa (1) Zarabanda Francesa (2) Matachim Rujero Paradetas La esfachata de Napoles (The Girl from Naples) La Coquina Francesa (The Girl from France) La minina de Portugal (The Girl from Portugal) La miñona de Cataluña (The Girl from Catalonia) Lantururu Españoleta Jácaras Folias Passacalle en Dmi (originally Am) Canarios Alemanda La Preciosa Coriente Fuga |