The idea for this arrangement came to me during the opera "The Barber of Seville". While I was waiting for the two pieces with guitar accompaniment, the other members of the orchestra played Rossini's wonderful overture over and over again. Positioned behind the first and second violins, I could follow the notes well.
So I soon began to play along. At the same time, I was working on the "Grande Ouverture" by Mauro Giuliani and it became clear to me that this overture by Rossini in a version for guitar quartet would be exactly the piece that Giuliani unfortunately never wrote for us.
The idea for this arrangement came to me during the opera "The Barber of Seville". While I was waiting for the two pieces with guitar accompaniment, the other members of the orchestra played Rossini's wonderful overture over and over again. Positioned behind the first and second violins, I could follow the notes well.
So I soon began to play along. At the same time, I was working on the "Grande Ouverture" by Mauro Giuliani and it became clear to me that this overture by Rossini in a version for guitar quartet would be exactly the piece that Giuliani unfortunately never wrote for us.
