Preludes & Fugues from The Well-Tempered Clavier
[Solo Guitar]
Introduced by Leo Brouwer
A musical transcription needs to be justified by one or more valid reasons to establish a favorable balance between what the transcribed work stands to gain and what it stands to lose from the inevitable modifications which will change the course of its life as a result of the transcription . The present work achieves double merit by contributing to the enrichment of the guitar's repertoire with material whose value is beyond discussion; on the other hand, the real contribution of this work is to make it possible for the present day guitarist to have in his hands a method that focuses on the practice of polyphony. It is not only a delight listening to the performance of a work so coveted by guitarists, but one is also amazed at the extensive polyphonic horizon to be covered upon adapting for our instrument a work of such contrapuntal magnitude as The Well-Tempered Clavier by Johann Sebastian Bach.
- Vol. I
- Prelude 1
- BWV846
- Vol. I
- Prelude 2
- BWV847
- Vol. II
- Prelude 2
- BWV871
- Vol. I
- Prelude 4
- BWV849
- Vol. I
- Prelude 6
- BWV851
- Vol. II
- Prelude 7
- BWV876
- Vol. I
- Prelude 8
- BWV853
- Vol. I
- Prelude 9
- BWV854
- Vol. II
- Prelude 12
- BWV881
- Vol. I
- Prelude 13
- BWV858
- Vol. II
- Prelude 16
- BWV885
- Vol. I
- Prelude 17
- BWV862
- Vol. II
- Prelude 20
- BWV889
- Vol. I
- Prelude 21
- BWV866
- Vol. I
- Prelude 23
- BWV868
- Vol. I
- Prelude 24
- BWV869
- Vol. II
- Prelude 24
- BWV893
- Vol. 1
- Fugue 1
- BWV846
- Vol. I
- Fugue 2
- BWV847
- Vol
- II
- Fugue 2
- BWV871
- Vol. II
- Fugue 5
- BWV874
- Vol. II
- Fugue 7
- BWV876
- Vol. II
- Fugue 8
- BWV877
- Vol. I
- Fugue 13
- BWV858
- Vol. I
- Fugue 14
- BWV859
- Vol. I
- Fugue 17
- BWV862
- Vol. I
- Fugue 18
- BWV863
- Vol. I
- Fugue 23
- BWV868
- Vol. I
- Fugue 24
- BWV869
| Featured Product | No |
|---|---|
| Arranger/Editor | Afredo Sanchez |
| Composer | BACH, JOHANN SEBASTIAN |
| Availability | Available |
| TAB/Notation | Music Notation Only |
| Level of Difficulty | 5 |
| Description | A musical transcription needs to be justified by one or more valid reasons to establish a favorable balance between what the transcribed work stands to gain and what it stands to lose from the inevitable modifications which will change the course of its life as a result of the transcription . The present work achieves double merit by contributing to the enrichment of the guitar's repertoire with material whose value is beyond discussion; on the other hand, the real contribution of this work is to make it possible for the present day guitarist to have in his hands a method that focuses on the practice of polyphony. It is not only a delight listening to the performance of a work so coveted by guitarists, but one is also amazed at the extensive polyphonic horizon to be covered upon adapting for our instrument a work of such contrapuntal magnitude as The Well-Tempered Clavier by Johann Sebastian Bach.
|