Shuvi, Shuvi Hashulamit

In stock
SKU
DTMO9
Composer
BOGDANOVIC, DUSAN
$8.95
Available
[Guitar & Voice] [score]

The composer says: A substantial part of my music is based on free-flowing, melismatic vocal polyphony; I do not know where this language exactly comes from, but it has developed through the years into a very concrete musical world. My rendition of Shuvi, Shuvi Hashulamite from Solomon–™s Canticle of Canticles certainly partakes of that world. Ever since I first read this extraordinary poetry, I–™ve been struck by its intrinsic beauty and passion. Allegorical interpretations and cantorial traditional performances notwithstanding, I have chosen the very spirit of the poetry to be the guiding force in creating the composition. Although I have some rudimentary knowledge of the language, I had to pay special attention to the idiosyncrasies of the Biblical Hebrew. I would therefore like to thank my friend Nadav Eldar for his initial clarification of the text–”as well as Joseph Urshalmi for his help. Finally, I am especially grateful to Matanya Ophee for his willingness to undertake the publishing of the song with so much enthusiasm, expertise and care.

More Information
Featured Product No
Composer BOGDANOVIC, DUSAN
Availability Available
TAB/Notation Music Notation Only
Level of Difficulty 5
Description

The composer says: A substantial part of my music is based on free-flowing, melismatic vocal polyphony; I do not know where this language exactly comes from, but it has developed through the years into a very concrete musical world. My rendition of Shuvi, Shuvi Hashulamite from Solomon–™s Canticle of Canticles certainly partakes of that world. Ever since I first read this extraordinary poetry, I–™ve been struck by its intrinsic beauty and passion. Allegorical interpretations and cantorial traditional performances notwithstanding, I have chosen the very spirit of the poetry to be the guiding force in creating the composition. Although I have some rudimentary knowledge of the language, I had to pay special attention to the idiosyncrasies of the Biblical Hebrew. I would therefore like to thank my friend Nadav Eldar for his initial clarification of the text–”as well as Joseph Urshalmi for his help. Finally, I am especially grateful to Matanya Ophee for his willingness to undertake the publishing of the song with so much enthusiasm, expertise and care.

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